Dreaming of 4000

A meandering piano score; someone picking at the keys. A cluttered house. Objects stacked and draped...

Thu, 04 Oct 2012 09:50:34 -0400

A meandering piano score; someone picking at the keys. A cluttered house. Objects stacked and draped on every surface. My mother sits in one corner doing something, focused on something. Knitting, perhaps; the camera never focuses on her to investigate. I know my mom is the age she is now, but my brother sits amongst the stacks of paper on the couch, and he is only five or six years old here. He is busying himself, looking for things to play with. He finds a coloring book: on the cover there is an odd drawing of a police officer in profile. The drawing is a caricature: it resembles him as he will look in 25 years.

My brother is restless. The book is just interesting enough, but will not entertain him for long. I want to protect him but I’m not there. I’m just observing. The police officer glares; the drawing is an accusation. From nowhere, a small red clown nose the size of a cherry tomato appears on the nose of the drawing. My brother plucks it from the cover. The foam clown nose is real and not a drawing. Another appears near the cover. And another, a little beyond it. I know this pattern: they will continue to appear, and they will make a trail. My brother will follow the trail, unsupervised. The trail will lead him to something horrible.

In another part of the house, a girl plays in a darker, paneled, carpeted room. She is playing “farm” though she has no toys. On the carpet she has propped children’s books up to make little houses. Old cardboard toilet paper tubes, with four pushpin legs, stand in for cows. Her father walks in — I don’t know who these people are, but it’s the same house and they must be my family. Her dad looks like Robin Williams, in a serious role.

He smiles and gingerly steps over the toilet paper tubes. As he does so, the camera focuses in on one of the tubes. Despite being cardboard with pushpin legs, they bray and whinny uneasily. They make the same noises a herd animal does when it sees a snake nearby. I hear them, but no one else does. If they could rear up and back away, they would, but they can’t. They are just cardboard. They do not like this man.

The girl says something silly, introducing the father to the farm. He takes a bow and waves to the cardboard tubes. He picks up a small action figure, like a Ken doll, and begins to play on the carpet. The room is too dark for me to see the doll’s face.

Now I am no longer a camera, observing these scenes. Suddenly I am very small, smaller than even the Ken doll. The girl and the father are gone. The cardboard tube cows remain, out of my field of vision. They continue to make frightened animal sounds, more pitched now, more urgent. I cannot see them, but I hear them to the sides and behind me.

What I can see, what completely fills my field of vision, is the starkly-lit side of the Ken doll’s head. I am looking at the head from reverse three-quarters perspective. The light on it is harsh, like that of a close flashlight. The face is away from me, and fully in shadow. I know the face will be horrible. Of course it is. I place my tiny hands on the head and begin to rotate it to the right, so that I will see the face. It is difficult. The head barely budges.

In fact, the head only turns about to profile. But it is still completely shadowed. I can’t make out any part of it, and it won’t turn further. I know that I’m dreaming now, and I think that the only way to end the dream before something else happens is to look at the face. But all I can see is the plastic back of his head, the plastic hair and one plastic ear.

I wake up anyway.

The next movie in the Saw franchise came out: it was the far future and the work of Jigsaw was now...

Mon, 07 Nov 2011 09:44:20 -0500

The next movie in the Saw franchise came out: it was the far future and the work of Jigsaw was now being some by nanobots, which lived in the bloodstreams of victims and formed small cutting instruments at preprogrammed times.

The ultimate goal of the nanobots was to create some kind of hybridized person. I don’t know the philosophy behind it. I do know that it resulted in dozens of people being held captive somehow, pairing off, and then having the nanobots essentially unzip them and carve them and disintegrate their bodies. Somehow they remained aware and cognizant.

I remember seeing tiny hacksaws emerge from their skin and begin cutting bloodlessly.

It was the end of the world. The only ways we knew this were scattered earthquakes, the moon growing...

Tue, 09 Aug 2011 16:15:42 -0400

It was the end of the world. The only ways we knew this were scattered earthquakes, the moon growing larger in the night sky, and increasingly, areas of the ground glowed red, which meant that soon at least one long- and dark-haired Japanese horror child would be birthed from it. They were good ways of knowing.

In a below-ground parking lot, my friends and I had managed to group together, perhaps eighteen or twenty of us. A nearby dark corner between two abandoned cars glowed red as if the concrete was molten hot but not melting. One of them would come through soon, and we started running up ramps to get away to the surface.

The surface was chaos. It was dark and charred paper and embers blew through the city streets. Sirens wailed in the distance but there were very few people. We ran through parks and vacant lots and back roads as though armageddon only took the highways.

We were separated and rejoined many times and a big part of the dream was my worry about being caught separate from the group. We managed to find an old van that was still running, and packed into it.

There was a steel-and-glass dome, some kind of a settlement where the richest man in the world lived. He had a survival plan. My friends stayed in the van while I walked up to him across a huge field with trees in planted rows. He was having dinner on a small linen-covered table with two girlfriends, eating while meteors burned overhead.

One of the women said “once this all really starts to happen, maybe we can see where the moon will land in the ocean, and we can move our survival ship there, for the view.” The man said, in an English accent, “perhaps we can use some of my equipment to guide the moon down to where we want it.”

The women left, and I said, “man, when you say that with a British accent it just sounds so smart and plausible. When those ladies said it it just sounded so stupid. ‘Let’s git th’ moon down here so’s we can look at it while we eat!’”

The man was not amused. He threw a small bomb at my friends’ van, still full, but the bomb didn’t explode the car. It created a flaming force-wall that shielded their view of what was to come. The man then got in his Aston Martin and expertly drove across the grass at me, to run me down. I hid among the line of trees, which was just ten oaks in a row. He started to slalom through them, but I found a place I could climb into the branches and wait.

He called up, “it doesn’t matter, we’re only taking people with first names that end in A or B. That’s a huge number of people for the survival craft anyway. What’s your name?” I told him. It certainly didn’t start with either of those letters. I realized I didn’t know anyone whose names did.

common concepts in my nightmares: living dead; dolls; things behind glass on display; orthogonal...

Sun, 31 Jul 2011 22:19:10 -0400

common concepts in my nightmares: living dead; dolls; things behind glass on display; orthogonal intelligence; paralysis while conscious; impossibly fast or slow movement of incorrectly-scaled objects; reduction of behaviors to pointless ritual; compulsion to do wrong by outside force; final-but-meaningless conscious thoughts immediately before death

I was a soldier participating in a relatively new psychological warfare test that was rapidly...

Tue, 15 Mar 2011 08:01:03 -0400

I was a soldier participating in a relatively new psychological warfare test that was rapidly becoming some kind of field standard. I stood on the bottom floor of what looked like an indoor three- or four-story pink-painted mall. There were escalators and shop fronts, walkways with glass and metal railings. I could not tell if it was day or night.

I wasn’t alone here; a handful of other soldiers participating readied themselves, each in their own corner of the mall. I looked up at a few of the shops in the mall — some of them had been replaced with what looked like a large glass case beneath a cloth. There were maybe only three of these cases in the mall, on the way to the exit.

I understood the test as I had seen it before. The cloths would drop, revealing what was in the cases: a 1:1 sized Native American doll, with long, dyed cornsilk hair in a traditional white dress. The dolls were about four feet tall, propped up on a metal stand and not moving or even particularly scary to look at. No, the entire point of this exercise was the buildup to the exercise.

As I said, I had seen (possibly participated in) this sort of test in the past, and I knew how difficult it was going to be. I rattled on about how you just had to push on through, ignore what else was happening, and get to the exit. The other soldiers weren’t afraid, but I honestly was.

A loudspeaker counted down. After one, the cloths dropped off the exhibits and revealed what I already knew was in the glass cases. I made my way past the first doll with some difficulty, and I tried to steel myself for the next one around the corner, knowing how the test worked but not how I’d react: they moved one of the dolls outside its case, so that it was actually standing at the end of a long corridor in the mall. I would have to walk past it.

The other soldiers moved through with no difficulty whatsoever. After all, they were not alive; they weren’t even doing anything. I realized as I must have before that this wasn’t a test for them but a test for me. But it didn’t matter that I understood; it only mattered that I was crumpled in a shaking mess on the mall walkway floor.

I was traveling with Kurt in some snowy Eastern European country. Kurt was driving, and the roads...

Tue, 30 Nov 2010 12:07:03 -0500

I was traveling with Kurt in some snowy Eastern European country. Kurt was driving, and the roads were jammed. Men in black hunting caps with rifles walked down every street. At one point Kurt missed a hidden off-ramp and we found ourselves driving down railroad tracks. There was road access further down the tracks, meaning at some point you were actually supposed to drive where a train might hit you.

Cut to an underground parking lot, the air teeming with white dust, spiderweb-like fibers. It looked industrial and unsafe, like everyone was breathing in wisps of fiberglass. Guards escorted Kurt and me. I covered my nose and mouth with my coat, and a guard demanded to see the inside, like I was folding my arms and covering my face to hide something. I told the guard I spoke only English and he handed me a flyer about visiting their country, making it sound incredible.

He said, “they invite Americans for the tourist dollar but is not safe; also comes terrorist, criminal who would hurt American traveler.” More guards demand to see other people’s belongings and clothes.

One flamboyantly-dressed man is wearing a huge gold choker with a box on it and leopard print coat. A guard gets suspicious and demands he open the coat, but there’s nothing dangerous. The guard gestures to his neck and says “choker, choker” to communicate “what about that?” The man says, “choker, I hardly know her!”

One or two of the guards get it and laugh. The first guard notices that my brother and I are still covering our faces from all the filaments and white soot in the air down here. He tries to make a joke too: “we have, um, kept some of your… September 11… gas,” not knowing how to refer to the ash in New York. And September 11 being something we’d all understand.

I had a very fun, cohesive dream about zombies that I just woke up from. It was identical to a...

Tue, 31 Aug 2010 11:51:16 -0400

I had a very fun, cohesive dream about zombies that I just woke up from. It was identical to a movie. It had a lot of moments where I thought to myself, “oh, that’s clever” during the dream, as if I was watching a film. Early on Tony Stark didn’t show up, but since he did come in later, I want to say this was Iron Man vs. The Zombies.

It started with a father and son running over very elaborate rock formations in a stream. It reminded me of being with my dad at Eaton Canyon in Pasadena. Anyway, the father was running ahead of the son, played by me. We were escaping some danger, and were panicked. Dad was panting but not stopping. I shouted “isn’t this exactly when we should be careful?! Shouldn’t we be slowing down and watching for trouble?!” The dream was very restrained and didn’t have zombies attack us at that moment.

The stream/river finally ran up on what looked like the remnants of an amusement park, but there was something… British about it. There may have been a ferris wheel and roller coaster further in, but here near the stream there was a croquet field and a volleyball net on the well-kept grass.

We entered what looked like a small administrative trailer, which held an office and a little break room. A zany old inventor type and his young… granddaughter? Too young to be his daughter. Anyway, these two lived here and cared for the grounds. The inventor gave us both weapons to defend ourselves, but there weren’t really zombies in the area yet. They’d be out there and we’d have to clear them out. As a recharge, I took a long pull on a bottle of oyster sauce.

He gave me two weapons, which were awesome. One was a little brass and ivory tube, carved to look like a dragon. You put it in your mouth and when you spat through it, it converted your spit into a very strong anti-zombie poison. “Don’t breathe in through your mouth while wearing it,” he said. And the other weapon was enough to make that dragon unnecessary — it was essentially a lightsaber hilt, but it would generate any blade you’d want out the top, limited only by imagination.

We had a chance to take our arsenal out deeper onto the rolling hills. I actually was able to generate a running chainsaw from that hilt. I remember cutting into a number of zombies with ease — first with a longsword, then something resembling a kukri, and finally the chainsaw. It was very fluid, controlling that thing, and I was lucid. Also, cutting down the zombies wasn’t very bloody; it was almost like cutting through a block of cheese that looked and moved like a man.

Having killed about a dozen, we ran back to the office, concerned that they’d be getting overrun. To our horror, the granddaughter was outside, on one side of the volleyball net, while zombies approached her from the other side! But we watched for a moment… she was commanding them. She had managed to train them to play volleyball. Once in a while they’d break and try to come towards her, but she’d scold them and they’d return to their positions on the court.

Another group of uninfected came around to watch the game, and in the shuffle to get indoors, some of the trained zombies came along inside the office — I guess it had happened because the uninfected didn’t pay attention that the green guys were dead? But no one wanted to go off on the zombies coming in, for fear of killing the trained ones. They didn’t react and actually went back outside, except for one, a young girl in a schoolgirl jumper and glasses. She was indeed a zombie, and I got into attack stance, but she said, “listen, I have this under control. Some of us managed to retain control over our cravings even after we changed.”

I didn’t trust this. Suddenly, she lunged for me and grabbed me by the shoulders… and stopped. It was a test to see if I’d stab her. I didn’t, but not for lack of wanting to — I was just too slow. “See?” she said. “I guess you just go around killing anything that’s rotting, huh?” It was like an accusation of racism.

Cut to opening night of some physics lecture. I forget the name of the scientist, but her first name was like Theodora. Out in front was one of those “ONE NIGHT ONLY” type of posters.

She was… arranging some very artistic-looking cardboard diorama on stage, the show being later at night. The only person in the audience right now was Tony Stark. She said something about her current project, and Tony said “I’m sorry, I wasn’t listening, I was thinking about how much I love you.” I remember thinking “oh cool, they gave him a romantic interest that’s not Pepper Potts but another scientist.”

Then my alarm went off.

I am watching a Lost-like show — perhaps Lost? — in which some penultimate reveal...

Wed, 18 Aug 2010 08:56:35 -0400

I am watching a Lost-like show — perhaps Lost? — in which some penultimate reveal threatens to blow the doors off the show. A woman is pressing some entity for answers as to why a disadvantaged neighbor kid wanted to find out about triangular beings of light that lived at the bottom of a nearby body of water. They kept referring to the aliens as “the napers.” The napers resembled the old ’80s special effect visual of a laser light drawing a triangle into fog or smoke.

There’s something about the idea that the aliens are the ones being asked the questions, and that they were trying to be helpful… all I remember is that they came to Earth and ended up in a lake and had some water manipulation powers. The kid wanted them to help his mother, and they ended up helping him instead.

In an appreciated twist on a time-worn nightmare scenario of mine, when the woman asked about how the napers were helpful, my dream featured a flash-sideways where I was the neighbor kid, in my bed, in the exact same position that I fell asleep in tonight. One of the aliens floated over my immobile form, and used invisible hands to pull the covers over me and tuck me into bed snugly, the same way a mom would.

(Typically in my dreams of being immobile in bed, there is a thing present that is awful that I don’t want to see, or is directly threatening me somehow. I woke up from this dream creeped out, but grateful that at least it wasn’t my usual.)

A remote orbital station above some forbidding planet. Cut to an interior: a huge, empty,...

Wed, 18 Aug 2010 08:44:28 -0400

A remote orbital station above some forbidding planet. Cut to an interior: a huge, empty, hangar-like room, like a cargo area. Huge picture windows looking down at the planet. A single turbolift door in one part of the room.

Familiar blue chyron titles in one corner of the view: “Cause of Death.”

An ensign, unsure, hesitantly exits the turbolift. He looks around the well-lit, empty space. Mounted in a corner of the ceiling, a viewscreen. It turns on, showing an alien wearing a Starfleet uniform. A superior officer.

“Ensign. This is the room where it keeps happening.”

The room isn’t completely empty though: a podium-like wooden pedestal stands next to a long jewelry-display-case like object, large enough to hold one person inside. On the podium on some kind of holder, sticking straight up, is a syringe with the needle pointing into the air. It is full of something. A little bit lower on the podium is a severed alien hand, complete with frayed Starfleet uniform cuff still at the wrist.

“The creature came up with one of our early shuttle runs, that much is certain. Everything else we know about it: it is completely invisible, soundless, undetectable via any means we have. We have reason to believe it’s susceptible to the tranquilizer in the syringe.

“We can’t explain why, when it kills, it leaves the left hand.” The hand belonged to the last ensign to enter this room.

“We’ll give you four hours. Good luck.” The screen switched off. The doors shut and locked.

Now I was the unsure ensign. I approached the podium in the deathly-silent room. The floor was carpeted, so I made no sound; not that anyone understood how it hunted. I pulled the syringe off the stand and held it out in front of me like a weapon. I began to methodically sweep the room.

I dreamt we made love on an ironing board. It was noon. I dreamt someone invented a recursive...

Sat, 14 Aug 2010 14:48:37 -0400

I dreamt we made love on an ironing board. It was noon.

I dreamt someone invented a recursive flyswatter — the further away from its starting point you moved it, the exponentially larger and further away a projected duplicate of itself grew. It wasn’t an illusion; the duplicate was solid and had its own mass, and mimicked your movements of the original. It was designed so that you could cover greater surface areas with it and hit more flies with a smaller swat.

But it hadn’t been tuned right; it was too sensitive. Moving it back only a few feet made the duplicate’s paddle like six feet across. Walking it from one room to another would potentially knock down walls in a building.

Somehow I flew the flyswatter to the moon. Its duplicate was now larger than the Earth. It still responded to my movements, but its mass was so great that the tides were shifting. I reared back, and swatted the Earth, and watched as seas and continents exploded through the lattice grid. I thought about celestial objects moving this fast and got nauseated and woke up.

February 6, 2008

Tue, 29 Jun 2010 22:56:59 -0400

I had a very long, very elaborate dream last night, and sadly I’ve forgotten most of it, but the important parts have stayed with me and colored my day.

The dream was formatted like a movie. It was a story of two people, a young guy and slightly-older married woman, attending a very liberal art school together (very liberal as evidenced by the kind of student work permitted). She had come back to school for a higher degree or extension classes, and he was getting his bachelor’s. Even though he knew she was married, he was attracted to her. She was kind of high maintenance, a little flighty, and brilliant. For all intents and purposes, the guy was me, but I didn’t feel like it was me in the dream; I didn’t participate, I just watched.

The school was right next to a huge lake or ocean or other body of water, and students would often sit on the grass beside it to study or hang out. This was where the man and the woman would occasionally run into each other.

I remember a part where a video was being screened for a class; it was another student’s project, and she’d filmed her and her girlfriends naked underwater in the lake, harassing a really large water snake the size of an anaconda. They kept matadoring the snake into biting its own tail, rather than them.

The man and the woman spent more and more time together, with her egging him on to do stuff with her. Her husband never entered the picture. It started to become obvious that they were falling for each other — but the dynamic was, the guy was DEFINITELY falling for her in a big way, but knew it was wrong, and the woman was mostly enjoying the attention, enjoying a break from what must have been a boring or otherwise failed marriage. She was falling in love too, but it was much slower going.

Much of the dream took place in crowded quads, amid building after building and throngs of students, hot dog stands, tables for campus organizations. It was like UCLA crossed with a mall. I remember a group of students, including our main characters, sitting down in a circle studying on the concrete.

The woman was that precocious type that they used to sing pop songs about in the 1960s. Everyone knows it’s Windy, she’s a mystery to me, all the songs about how girls are these free, bewitching, beautiful creatures that you never can tell if they’re aware of the power they have over lonely men. She was the type to go, in the middle of midnight studying for a midterm the next morning, to slam the book shut and say “forget this. Let’s go get pancakes at that diner we’ve never been to. We’ll just stay up until the test.”

Finally in the dream, something was going on with the huge snake in the lake. It was getting bigger and more dangerous, and there was a buzz that it could threaten the college, even the whole town. It was at this point that the man and woman knew only they could chase away the danger and save everyone. She kissed him, and he said, “what about your husband?” She said this was what she wanted. She took him by the hand and they prepared to face the danger.

I remember that they put on costumes to confront the snake; something about it being an artistic statement that had to be made. The only costume component I remember was that the guy had slip-on Vans that were studded with glued-on Scrabble tiles.

The two of them, full of hope and emerging new love, dove into the lake. This was the dominating mood of the dream — two lovers on that initial romantic journey, and all the wild promise and blind, deep happiness and completeness that comes with.

The camera panned back to a wide shot of the whole school. In the center of the lake, there was a massive explosion that shot a geyser of water into the air, shook the camera as well as trees on the shore.

And the credits rolled with not one but two songs: Pink Bullets by The Shins, and Ashen Shade by Girlyman. I stayed and watched all of them. Then I woke up.

At several points in the dream, I knew I was separate from the action, because I kept thinking “this is getting interesting, so I’ll probably wake up now. Please don’t let me wake up. I want to see the end.”

This really colored my day because I was thinking about the kind of love that the two experienced, that perfect-but-fleeting love at the start of a relationship when no one can do any wrong, all is right, and all you want to do is hold and be held forever.

In my dream the man and the woman had just captured that, and then died doing something they believed in (even if my dream had a silly snake standing in for that), and so that love wasn’t dimmed or altered by the passage of time, fading and settling into what love becomes when a relationship matures. I saw them as fearless and noble, and their experience as whole and perfect and beautiful.

The dream started in medias res, possibly too far into in medias res to even be in medias res at...

Tue, 29 Jun 2010 22:54:18 -0400

The dream started in medias res, possibly too far into in medias res to even be in medias res at that point. It was like the end of the movie. Luke Wilson played a college dean in a gray suit. He was racing around the campus of his university while total pandemonium raged around him. Crowds fleeing, screaming, mass confusion, the ground shaking, brickwork shifting and coming loose.

Ornate metal trees made of bronze and silver, the size of oaks, grew from the ground in a matter of seconds. Buildings became formless, like amoeba. Luke Wilson made his way to a podium, to try and calm the crowd. It looked like a graduation had been interrupted by this hysteria.

Before Wilson could say much, two huge black leather shoes unearthed themselves beneath him — soles up — and he was thrown to the ground. The shoes were not just shoes, but feet in shoes, wearing dress socks. As ankles and calves rose from the dirt, like a headfirst man from reverse quicksand, the hems of a gray pair of pants appeared. They were duplicates of his pants, his shoes, his legs.

They disappeared as quickly. Wilson again approached the microphone and started shouting.

“The school is alive. It’s tired of being a place of learning. IT WANTS TO LEARN. It wants to create, like its students!”

This was an art and design college. Somehow it had developed an intelligence, and with it, powers of reality manipulation. In this way it could draw, and sculpt, and create. It did not mean to do harm, but it wasn’t human and didn’t share our morals, our ethics, our worldview. It couldn’t.

Wilson shouted into the microphone again. “IT ONLY WANTS TO MAKE ART!”

The chancellor of the school, an old man, hobbled up to the stage to take the microphone, to speak. But before he could, a translucent block of some kind encased him completely. For an instant he couldn’t move or breathe — then the block reconfigured itself internally, completely destroying and scrambling the old man’s body.

In a single liquid stroke, what was the old man now took the form of a very featureless, mannequin-like seated nude. The school did not simply strip the old man and place him in a seated position. It liquified him, and used the components to make a three-dimensional extrapolation of a painting. I remember seeing that the linework that made up the “rendering” was actually thin lines of blood, latticed into place within that clear plastic cube. As the ground shook, the blood shifted gently inside the framework of lines.

The principal then understood that the school did want to make art, but didn’t care how it was made.

After I woke up, I realized that there was a similarity between how this school shifted itself, and the way the house worked in the late 1990s remake of The Haunting. I haven’t thought about that movie since I first saw it, but that’s what this school looked like.

I had interesting dreams this morning that I forgot all but two parts of: Scott had brought this...

Tue, 15 Jun 2010 14:01:04 -0400

I had interesting dreams this morning that I forgot all but two parts of:

Scott had brought this gadget or curiosity from an online store. It may have been partly alive, and it resembled a tiny translucent jellyfish skin. You placed it on top of a small object you value and “activate” it by leaving it alone. The membrane grew in size over it making a second thin skin — in this case it was over a small box or bowl. Then if someone tries to touch the object, the skin would convulse and roil outwards, growing in size several times rippling from that point of contact, and in the process making a squeak noise like clean Tupperware. Then it would settle back down. It was a little alarm system. The skin was rubbery and multilayered, and contact pressed those layers together, closing some circuit. It looked alive and fully organic and beautiful, but I think it was like Silly Putty: a chemical trick.

The second thing I remember, as part of my PAX duties, I was preparing to sing with Usher and a very old still-alive Dean Martin.

I was a woman for the first time in any dream I’ve ever had, and I actually believed I...

Wed, 02 Jun 2010 11:29:49 -0400

I was a woman for the first time in any dream I’ve ever had, and I actually believed I wasn’t male anymore. The dream had the feel of a supernatural WB show like Charmed. (Or Supernatural.) I was a young, suburban witch.

I don’t remember the majority of the dream, but I was being tasked by a middle-aged Hispanic man, who was actually a demon or other entity in human form. He reminded me a little of Gomez Addams; he wasn’t frightening, but personable and a little cryptic. There were some trials or puzzles I had to figure out, but of what aspect I can’t remember now.

All I remember is that towards the end of the dream he raised the stakes. He said “there are Malebolgia living nearby; next door to be exact.” In my dream these were demons I didn’t want to ever, ever deal with. I said, “do they know I’m here?” And he said “no, I never tell them who you are. They have no idea, but if you fail, they’ll find out.”

I said, “but… you may not have told them my name directly, but they can read minds, and you think of me all the time because of these trials. Maybe you never said ‘she is the one being tested’ outright, but couldn’t they easily infer it by just seeing who you think about?’”

The man went white. He’d made a horrible mistake and that was absolutely the case. And even now he was thinking of the mistake and my name and the demons were receiving it all.

In my dream my house was my parents’ house, and the Malebolgia were our next-door neighbors (they never appeared). But that little white house next door surged with evil. I felt sick and started running down the sidewalk away from both houses. The man called out after me to keep running and not look behind me, and I screamed a woman’s terrible horror-movie scream as the sun in the cloudy sky started to turn blood-red. Now everything was red and I was outside the young woman character I had been, looking down at her. She wasn’t just running, she was leaping, flailing, doing anything she could to put distance between her and the house.

I thought, “wow, I’m not in any shape to fight these demons. I wonder if I could somehow train as I ran away,” knowing that if she stopped running, she’d be taken instantly. She would literally have to physically be running away for as long as she wanted to stay alive. How long would that last? A couple hours?

I woke up really unsettled.

Scott’s brother Brian and I walk down a hallway of an old lecture hall at a college. Brian...

Mon, 17 May 2010 10:56:09 -0400

Scott’s brother Brian and I walk down a hallway of an old lecture hall at a college. Brian says, “come on, check this out, Kris.” We come down a stucco hallway and approach an old wooden door. Brian calls out, “hey, Grin?” At first I thought he had said “Gram” like a nickname for a grandma, but there was a red thread that had been stitched into one of the walls that looked like a smile.

The door opens; inside it looks like a professor’s office that had been converted into a living space for an old woman. A couch lines one wall beneath a Venetian-blinded picture window. It’s night. The old woman in question opens the door and turns away to walk off before I can see her face. All I do see is wispy white hair and a long satiny house-dress. She has a mystical aspect about her, like she’s also a part-time psychic.

Brian motions for me to join him at the window. “Okay, look down there.”

Beyond the window it’s pitch-black out. The only light in any direction comes from a street light above a small playground about 400 yards down a hill. Beside the sandbox, on a concrete slab beneath the light, stands a muscular white man with a demonic face and at least three arms and three legs. It’s not a costume or statue. It is alive.

We look at it for about two or three seconds and it vanishes.

“See, that’s what happened the last time!” Brian says. “It just disappears after you look at it.”

Grin says, “oh no, it never just disappears. It’s up here now.”

A huge white shape moves across the glass and now stands directly in front of the picture window on the outside. I don’t look at it for more than a second; when I see movement I shut my eyes.

Grin says, “Now, as long as you stay here” — I fully expect her to say that it was safe in this room, but she continues — “it’s extremely dangerous. You need to go now.”

As is traditional in my dreams, I start to wake up and I realize I’m in my bed at home, but the remainder of sleep paralysis makes me think I’m being pressed into my bed by an unseen force.

I dreamt that Scott was leaving a panel and was accosted by three or four guys with recording...

Thu, 01 Apr 2010 17:06:39 -0400

I dreamt that Scott was leaving a panel and was accosted by three or four guys with recording equipment. They went “whoa, whoa! You just rolled a 1 and critically fumbled your saving throw to avoid being on our podcast! This is ‘It’s A Trap,’ the 60-minute ultimate geekcast!!!”

Scott goes, “… No, no, I don’t have time for a podcast. I’m going to dinner.”

“But you rolled a 1,” said the guy with the mic.

Scott says, “Sorry, I can’t,” and walks away.

I dreamt my brother and I were in some sandbox-like video game, like Grand Theft Auto — or at...

Mon, 09 Nov 2009 13:49:15 -0500

I dreamt my brother and I were in some sandbox-like video game, like Grand Theft Auto — or at least we were in a world that behaved that way. We entered an abandoned building via some odd roof entrance and looked around. The walls had been whitewashed years ago but the place was still a mess.

One section of wall behind an old vending machine hadn’t been fully painted, and I saw some old text there that betrayed what this building used to be: a prison. Somehow I knew that would trigger a plot point, where a lone insane escapee in a skull mask would come up an old gated elevator, attack us, then warn his gang and start a chase sequence.

But this was still a real-enough world where I thought, “there’s no reason to wait for that to happen. We should just leave and avoid all that.” But no matter how much I insisted, Kurt wouldn’t come along. He was locked into the NPC role of triggering this event.

We escaped the prisoner, but as foretold, the chase began like one of those sequences in Gears of War or Call of Duty: enemies rode alongside our car and had to be shot before they could open fire. One enemy used a weapon that was part taser, part still-living beaver. (Electricity sparked between its teeth.)

My brother had finally overworked himself to the point that he was losing his mind. We had gone out...

Thu, 29 Oct 2009 16:01:38 -0400

My brother had finally overworked himself to the point that he was losing his mind. We had gone out to eat when he started to do some incredibly childish things, like releasing the parking brake when we were both sitting in the backseat of the car eating (I had to steer us into a wall to avoid other parked cars) and quoting Soupy Sales sketches to cashiers and others who had no idea what he was talking about. I got really worried about him and tried to get him to snap out of it, and he just became distant and muttered. Then it returned. I told my parents about it and they cried.

We got lost on UCLA’s campus, which became this sprawling, multi-leveled concrete hike, with many tiny pavilions and stores built at odd angles off of too-steep and too-narrow stairways. Still lost, we passed athletes training for summer games. We had to walk through a sandy volleyball court to continue. We almost interrupted the game, but they were able to continue despite our presence. I was relieved when the coach cheered his players because it meant he had ignored us.

My brother parkoured over a dangerous wrought-iron fence with spines on the top rail, and I yelled at him that I couldn’t follow. Luckily there was a ridiculously pitched concrete stairway that circled the fence to a gate, which he found and opened. The stairway didn’t meet the seam in the concrete walkway at all and I had to leap across it. Through the crack you could see the tops of clouds and the city far below.

We ended up in a museum where I lost track of my brother. I wandered into a butterfly and fish exhibit where tiny glass bowls held exotic fish much too large for them. I wanted to touch them but was afraid they’d panic and leap from their tiny home onto the floor.

The walls of this wing of the museum were alive with small pink mating butterflies. Slowly, the male and female butterflies’ wings would fold to meet each other, then fold sectionally up like an umbrella or origami, revealing the undersides of their wings which weren’t pink but opalescent and dark. Their wings would bend upon each other until their bodies were lost within them, and suddenly they would twirl and twirl. Then they relaxed and it started again. It never looked the same twice.

I ran into a female friend in the wing and in greeting I kissed her on the lips, thinking immediately after that I shouldn’t have done that.

My brother reappeared and the three of us left the museum down an impossibly-narrow flight of stairs made of stacked cement bricks or blocks designed to look just like books. As you descended, a poem that was written on the spines of the books could be read. I thought I recognized it, but upon waking I do not. We got to a verse about falling “down, down, down” and I thought about my brother’s mental collapse and cried. The books were loose. A crowd of people was coming up the narrow stairs as we went down. I didn’t think it would hold all of us. My alarm went off.

Last night I had a dream inspired by Halo 3: ODST and probably a little of Penny Arcade’s...

Sat, 26 Sep 2009 20:47:31 -0400

Last night I had a dream inspired by Halo 3: ODST and probably a little of Penny Arcade’s Automata. It was a future in which holographic interfaces were so prevalent that they were more or less accepted as other people, and stories about people falling in love with holographic AIs were not terribly fringe anymore. Those people had to overcome similar prejudices as gays or minorities.

My dream centered around a woman hologram who was being accused of a crime it was impossible for holograms to commit. I was a detective.

It was the end of the world. Most of Earth seemed deserted; maybe everyone else was dead, but I...

Wed, 19 Aug 2009 07:30:51 -0400

It was the end of the world. Most of Earth seemed deserted; maybe everyone else was dead, but I didn’t see many other people at all. I remember cars parked in — or wrecks littering? — a football stadium. The silence was sporadically pierced by looters, either alone or in small groups. Scott was with me and I was furious that this was all that was left of humanity. One man tried to break the window of an electronics store. He was going to steal a television even though there hadn’t been signal in months. I tried to get in front of him, to clothesline him as he ran up, but I was weak, powerless. I couldn’t lift my arms, I couldn’t open my eyes fully.

The scene changed. I was lying diagonal on the floor of some white box apartment. There was the lip of an extended windowsill, coming out of the wall, more than a few feet wide. Reclining on this lip was a girl who looked like Linda Blair from The Exorcist, in the same white nightdress. She hissed at me. I blinked to look away.

The scene didn’t change. I was still lying on that carpeted floor. In the far corner I saw light dancing — a TV on, perhaps a small fire in the room. The girl’s head had changed. Now she was this shrieking, white-haired thing with pinhole eyes and the wrinkles and complexion of a bleached, dried apple doll. She stared and stared, screaming without sound. I forced myself awake.